It is 1870. You are a composer from theCentral European province of Dzaviszbekatania (part of the Austro-Hungarianempire) and were born in the provincial capital, Davis. In recent years, yourpeople have been gripped by revolutionary fervor. You and several of yourassociates have been consumed with a desire for Dzaviszbekatanian independenceand have even taken political action to overthrow the ruling party. Sodangerous have your activities become, however, that you have decided it wouldbe safest to leave your native land. Like the Polish composer Chopin, you takeup residence in Paris. By chance, one of your new comrades in Paris hasstumbled upon your diary. He or she makes bold to read an entry in which youlong for your homeland. You also describe the sort of music you would willwrite when one day, in the bright future, Dzaviszbekatania becomes independent.

In five or six sentences, write the diaryentry that your comrade found. Be sure to devote at least three sentences tothe musical work you will compose when Dzaviszbekatania is free and you are nolonger an exile. What musical strategies will you employ? Why?

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