Answer these four questions.
How did the First World War catalyze De Stijl and Russian Constructivism?
Is it a contradiction in De Stijl’s artists embracing the modern machine world and older Neoplatonic ideas? How did the members of the group resolve this issue?
What political stance separated El Lissitzky from other Constructivists such as Alexander Rodchenko?
Explain the genius of the Stenberg brothers. What were their techniques, and why was this important to the film industry in Russia.
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