Critique art

ART 105 / ART APPRECIATION

 

ABSTRACT PAINTING CRITIQUE PAPER

 

PAPER DUE = 2/27/2022

 

 

CHOOSE A “ABSTRACT” PAINTING FROM ANY ART MUSEUM [SLAM.ORG IS A GREAT CHOICE]

 

 

REQUIREMENTS:

·      SELECTED WORK MUST COME FROM A FAMOUS / LARGE ART MUSEUM  COLLECTION – I would suggest the St. Louis

·      Must be submitted in a WORD doc.

·      Correct spelling/grammar/punctuation

·      Cover sheet with picture of painting [not included in wpp count

·      12 to 14 point font

·      Between 1000 and 1250 wpp

·       “Works Cited Page” with a min. of 2 sources

·      Double or single spaced

·      Your own words [plagiarism]

 

·      AREAS THAT MUST BE DISCUSSED

 

·      INTRODUCTION: 

 

o  WHAT TYPE OF ABSTRACTION WAS USED, HOW DO YOU RECOGNIZE THIS: [see end of Requirements]

 

 

 

 

 

 

 

·      DETAILED DESCRIPTION:

 

o  Your description should include: Title / artist /  date / size [other administrative details if available

o  Media: Oil paints / tempera / watercolor / acrylic /  etc.

o  Your description give a detailed description of everything you see in the work [like describing it to someone over the phone]

 

·      THEME:

o  Choose one of the themes of art discussed in CHAP.3 that you feel applies, explain how this theme was used, how it was shown

 

·      CONTENT: Meaning if there is one, this is subjective, if there is no apparent meaning you must say so

 

·      FORM: 

o  Choose of 3 of the elements of art / and 2 principles of design [part. II] / make sure they apply to the piece!

 

§  List the elements or principles YOU have chosen to discuss – they are attached at the end.

§  If choosing a “Dual Term” both must be addressed

·      Dual Terms

o  Time and Motion

o  Unity and Variety

o  Emphasis and Subordination

o  Scale and Proportion

o  Repetition and Rhythm

 

§  Use a minimum of one paragraph for each item you select

§  Discuss where the element / principle is found

§  Discuss how the artist uses it

 

·      HISTORICAL / BIOGRAPHICAL:

o  This section MUST be researched and use cited references

o  Research and use any historical information that may be available on the work

o  Research the artists biographical information

o  This should be about 3 paragraphs

 

 

 

·      Both grammar and pronunciation will be part of the grade [not large but a part] 

 

You must provide a color picture of the piece 

 

 

PAPER WORK – 125 POINTS

 

Grading Breakdown       

 

·      Requirements - 20 points     

·      Introduction and Detailed description - 10 points

·      Identification and Explanation of the Theme - 5 points

·      Content [if any] and Type of Abstraction [explanation] -10 points

·      Form [3 elements /2 principles] -50 points [10 points @]

·      Biographical research - 30 points [your own words]

 

NEVER USE WIKIPEDIA AS A SOURCE, IT WILL BE A AUTOMATIC 10 POINT DEDUCTION

 

THE PRINCIPLES OF DESIGN:

·      Unity and Variety

·      Balance

·      Emphasis and Subordination 

·      Directional Forces

·      Contrast

·      Repetition and Rhythm

·      Scale and Proportion

 

The Elements of Art:

1.    Line

2.    Shape

3.    Mass

4.    Space 

5.    Time and Motion

6.    Light [value] 

7.    Color 

8.    Texture

 

 

 

 

 

 

 

 

 

 

 

 

 

 

·      ABSTRACTION: abstraction itself is not a specific art movement, but an overall term for many of the styles of 20th century art.  Abstraction in simplest terms, refers to a change from the realistic.  Abstraction can be described as a calculated simplification or reorganization of; lines, shapes, and colors.  There are many different types of Abstractions.  Often different types of Abstraction may Overlap.

 

·      TYPES OF ABSTRACTION:

 

·      Basic Abstraction [includes]

 

o  Abstraction by, line, color, shape 

§  Cubism [Picasso]

§  Fauvism [Matisse]

 

·      Expressionism [Marc / Kirschner / Kandinsky]

·      Surrealism [Dali / Magritte / Klee / Miro]

·      Futurism & Dada [Picaba / DuChamp

·      Color Field Painting / Hard Edge

·      Non-objective Abstraction

o  Geometric Abstraction [Mondrian]

o  Abstract Expressionism [Pollock / DeKooning / Klien / Frankenthaler / Rothko]

 

 

 


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